Weekly roundup: cast news, festival screenings, videos & interviews
One long and chaotic round of updates coming up.
Alessandra Torresani will make an apperance in the next episode of Warehouse 13, called "Shadows." It airs on Monday, September 12 at 9 pm. (Husbands premieres a day later, on Sept. 13.) Spoiler TV has the promotional photos. Teaser and clip embedded at the end of the post.
Ron Moore and Matt Roberts have a new project in the works. From Deadline:
ABC has bought drama pitch Hangtown, from Battlestar Galactica developer/executive producer Ron Moore and Caprica writer Matt Roberts. Sony Pictures TV, where Moore is under an overall deal, is producing. Described as a Western with a procedural overlay, Hangtown is set in the early 1900s in a frontier town that’s begun rapidly expanding with the coming of the railroad. It centers on three characters: the Marshal, a Matt Dillon/Clint Eastwood type who prefers to solve crimes by his instinct; a young doctor from the East Coast who is interested in using the new field of forensics to solve crimes; and a young woman writer who is trying to sell dime novels to the publishing houses in New York about crime in the Wild West. Every week the instincts of the Marshal, the science of the doctor, and the young woman’s drive to tell a rousing good yarn to her editors combine to solve crimes in a wide-open, lawless town.
The A.V. Club has a fantastic interview with Patton Oswalt, whose new comedy special, Finest Hour, airs on September 5 at 10 pm on Showtime. Details at Sho.com. A quick snippet from the interview:
AVC: The last time we talked, you were just starting your run on Caprica and you were working on The United States Of Tara and you were excited about working regularly in series television. Have the fates of those shows, and then Dollhouse as well, soured the experience for you at all? Or is it just part of the cycle? Because obviously, you had success on King Of Queens before that.
PO: Those were shows that I was very lucky to get involved in, three shows that the creators had a very, very specific vision for and went for it, often times to the detriment of the ratings. And I knew what they had planned for the second season of Caprica. They were taking a long view with that show. They had really amazing stuff, but he really saw it as, “I don’t want to rush it because I need to lay all this stuff. This is all very important to me.” They weren’t just making shit up as they went along. And same with Tara. If anything, they were excited that they wrote themselves purposely into a corner at the end of season three, like, “Well, it’s over, right?” But they wanted to see, “What new directions do we take this in?” They wanted to make it as hard as they possibly could on themselves were they given a fourth season. You saw how things were clicking so hard in the third season with the stuff they were doing, especially after the second season, which I thought sort of spun its wheels a little bit, sometimes.
Fox has released the info for the Glee premiere, directed by Eric Stoltz. The episode is called "The Purple Piano Project" and airs on September 20 at 8 pm. As for Eric, he starts shooting the pilot for Modern Love in New York next week.
Gun Hill Road with Esai Morales is getting an expanded release on September 16. It will open in theatres in Chicago, Philadelphia, Boston, Miami, Fort Lauderdale and San Diego. Washington Flyer has a new interview with Esai. So does KFOR.com:
1 comment:
Interesting list you made here! Thanks for all the information!
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