Just a heads-up before I start: now you can get updates from Caprica TV on Facebook, too, at 
Facebook.com/CapricaTV. 
First off, big congrats to at 
Esai Morales on 
winning an award for Best Actor in a Feature Film at FilmOut San Diego's LGBT Film Festival, where 
Gun Hill Road also picked up the award for Best First Narrative Feature, and 
Judas Kiss won for Best Screenwriting. 
Also congrats to 
Callum Keith Rennie on nabbing a Gemini for Best Performance by an Actor in a Continuing Leading Dramatic Role for 
Shattered, and to the 
Blackstone team on winning two awards this year. 
Carmen Moore posted a few photos from the event on 
Facebook. 
And congratulations to 
David Weddle, 
Bradley Thompson and everyone else working on 
Alphas on getting 
picked up for a second season! No word yet if 
John Pyper-Ferguson will be recurring in season two, but he will appear as the leader of the rebel faction in the season finale (Sept. 26). From the casting sides for "Original Sin," yes, there is definitely a scene with him and David Strathairn to look forward to.
Last reminder: 
Luke Camilleri guests in this Monday's episode of 
Eureka (8 pm) and 
Alessandra Torresani and 
Sasha Roiz both appear in 
Warehouse 13 (9 pm). From Syfy's 
press release: 
Caprica star Alessandra Torresani will guest star on Syfy’s hit series Warehouse 13, portraying a young girl with devastating hidden powers, on Monday, September 12 at 9PM (ET/PT).
In Monday’s episode “Shadows,” Megan’s (Torresani) destructive power seems to violently incinerate those around her. In trying to deal with this ability, Megan finds an unexpected confidante and friend in Claudia (Allison Scagliotti).
Anthony Michael Hall (“Sykes”), Sasha Roiz (“Marcus”) and Kate Mulgrew (“Jane”) also return to the Warehouse on September 12.
Jane Espenson did a bunch of interviews this week. She talked about 
Husbands, 
Once Upon a Time and 
Torchwood to 
VeryAware.com (more at the link):
There are other shows that get lauded for the fact that they prominently feature openly gay characters and yet we see them hide from actual same-sex intimacy. You’ve said that HUSBANDS is “ready for television, but television is not ready for it”. Is Husbands built to change that?
JE: Television may have changed since I said that. TV executives can be pretty good at reading the public and I’m seeing signs that they may be readier now. We certainly hoped that HUSBANDS would help bring about that change by demonstrating that there is an audience for this kind of story. But if that change is already happening, then that’s even better! (...)